Friday, April 26, 2024

Beyond Joyce Kilmer for Arbor Day Verse—National Poetry Month 2024

Before Earth Day, Arbor Day was the primary environmental celebration and a semi-holiday in the United States.  And for a while it was a very big deal with tens of thousands of volunteers across the country planting and tending trees.  The results were breath taking.  Arbor Day is often credited with re-foresting American cities and towns. 

Old 19th Century photographs reveal that many were barren urban wastelands long denuded of foliage with buildings jammed together and coming right up to streets and crude sidewalks.  In Chicago, for instance, Daniel Burnhams famous network of grand boulevards which radiated from the downtown core piercing the neighborhoods with trees was influenced by the Arbor Day movement.  Later the smaller boulevards—the local name for the strip of ground between the sidewalk and the street—were planted with trees, many by the CCC during the Great Depression.  Not only did all of those trees greatly improve the look of the city, but they also helped dramatically clean the air and provided much needed shade that helped cool city folk through sweltering summers.  Some sociologists even noted reduction in crime in neighborhoods with trees.

Tree planting festivals have been traced by to the Spanish village of Villanueva de la Sierra in 1805 where a local Priest organized a three day fiesta around planting hundreds of trees.  The custom spread to neighboring villages and towns.

School Children plant a tree in 1909 in Nebraska, the state where Arbor Day originated.

In America Arbor Day was founded in 1872 by Democratic politician and later Secretary of Agriculture Julius Sterling Morton at Nebraska City, Nebraska.  That first year 10,000 trees were planted in and around the community.  Anyone who has ever visited Nebraska can attest to the crying need for trees on its vast High Plains.  Morton’s son, Joy Morton, the founder of the Morton Salt Company in Chicago, shared his father’s enthusiasm and founded the Morton Arboretum in suburban Lyle centered on the grounds of his estate.

The first observance drew national attention and soon other towns were emulating it.  By 1883 the American Forestry Association officially endorsed Arbor Day and named Birdseye Northrop of Connecticut as Chairman of a committee to make the day an official national celebration.  Birdseye, who liked to travel, also introduced the idea to Japan, Australia, Canada, and back to Europe.

The Post Office celebrated the 50th anniversary of Arbor Day.

In 1907 President Theodore Roosevelt issued an Arbor Day Proclamation to the School Children of the United States.  It became an annual tradition.  Eventually Congress designated the final Friday of April for the observance and several states made it a holiday. 

In the early years the Boy Scouts troupes were heavily mobilized for tree planting and many still continue that tradition.  As observed the CCC and the WPA in conjunction with National Forest Service were employed during the Depression.

Tree plantings continue, but the spotlight seldom shines on Arbor Day anymore.

But we can celebrate with poetry, naturally.  Poets probably have been versifying about trees since the first bard plucked his lyre.  Yet most of us can only recall Joyce Kilmers Trees.  With apologies to Kilmer who was killed in the trenches of World War I just as his hymn to trees was becoming famous, it is a pretty bad poem filled with mixed and conflicting metaphors.  We can do better.

A Young William Carlos Williams.

Take Dr. Williams, for instance.  The great poetic innovator of Patterson, New Jersey paused to take in the barren trees of winter.  Ever creative note his charming coining of a word in the third line.

 

Winter Trees

All the complicated details

of the attiring and

the disattiring are completed!

A liquid moon

moves gently among

the long branches.

Thus having prepared their buds

against a sure winter

the wise trees

stand sleeping in the cold

 

—William Carlos Williams

 

H.D.--Hilda Doolittle.

Hilda Doolittle was an American poet from Bethlehem, Pennsylvania who moved to England in 1911 when she was 25 years old.  Writing as simply H.D. she became a close associate of Ezra Pound and a central figure in the avant garde imagist movement that revolutionized 20th Century poetry.  After being nearly forgotten, she was rediscovered by the womens studies movement in academia. 

 

Pear Tree

 

Silver dust  

lifted from the earth,  

higher than my arms reach,  

you have mounted.  

O silver,

higher than my arms reach  

you front us with great mass;  

  

no flower ever opened  

so staunch a white leaf,  

no flower ever parted silver

from such rare silver;  

  

O white pear,  

your flower-tufts,  

thick on the branch,  

bring summer and ripe fruits

in their purple hearts.

 

—H.D.

 

Wendell Berry.

O.K, show of hands.  Who is surprised that farmer/activist/poet Wendell Berry, appreciates trees?

 

Woods

 

I part the out thrusting branches
and come in beneath
the blessed and the blessing trees.
Though I am silent
there is singing around me.
Though I am dark
there is vision around me.
Though I am heavy
there is flight around me.

 

Wendell Berry

 

The tree planting janitor of Briargate School, 2004

For twenty years this poet was a school custodian in McHenry County, Illinois.  Among his many duties was occasionally planting trees on the grounds.  At least once the job got inside his head.  The result, this poem from the 2004 Skinner House collection We Build Temples in the Heart.

 

The Janitor’s Epiphany

 

In the mist of a late, cool spring,

            a common workman’s callused boot

            impelled the spade

            which sliced the velvet lawn

            and turned the Black Forest cake earth.

 

And in time he filled the hole casually,

            as if it were any other job,

            with a young tree yanked rudely

            from its old place and flung down here

            before the school.

 

Satisfied and ready to turn away,

            he stopped short and looked again—

this is a Great Thing, he thought,

and cries to heaven for ceremony,

for some note that life has happened here.

 

            Yet civic virtue stilled his lips,

                        lest his sectarian prayer rend a fragile peace,

                        and his own reason mocked an active ear

                        waiting on the supplicant’s plea

                        to do something, anything.

 

            But the rhythms of the season echoed here,

                        the shade of generations turned

                        with the spade and loam—

a Great Thing has happened

and cries out to heaven for ceremony,

for some note that life has happened here.

 

—Patrick Murfin

We will end with that counter cultural mystic Richard Brautigan who decades ago had this vision.Richard Brautigan.

 All Watched Over By Machines Of Loving Grace

I like to think (and
the sooner the better!)
of a cybernetic meadow
where mammals and computers
live together in mutually
programming harmony
like pure water
touching clear sky.

I like to think
(right now, please!)
of a cybernetic forest
filled with pines and electronics
where deer stroll peacefully
past computers
as if they were flowers
with spinning blossoms.

I like to think
(it has to be!)
of a cybernetic ecology
where we are free of our labors
and joined back to nature,
returned to our mammal
brothers and sisters,
and all watched over
by machines of loving grace.

Richard Brautigan


 




Thursday, April 25, 2024

A World Without Guernica—National Poetry Month 2024

Guernica after the bombing.

In consideration of the continuing pitiless assaults against Gaza and its captive residents by Israel abetted by the U.S. and the looming threat of an uncontrolled wider regional conflict it is time to recall again one of the first mass bombings of a civilian population center with little or no military significance in history.  German and Italian war planes bombed the market town of Guernica, a Basque village in northern Spain on April 26, 1937.  The atrocity, an episode of the Spanish Civil Wara dress rehearsal for World War II—outraged world opinion at the time.

The dead in Guernica.

Within weeks Spanish expatriate painter Pablo Picasso in Paris was commissioned by the Republican Government for a display at the Exposition Internationale des Arts et Techniques dans la Vie Moderne at the 1937 Worlds Fair in The City of Light.  Picasso’s huge, dramatic monochromatic black, gray and white painting became an international sensation and anti-fascist icon.  It toured the world and survived the Blitz in London.

When the United Nations opened its new headquarters in New York City, a full-size tapestry reproduction was hung on a wall outside the entrance to the Security Council Chambers to remind the delegates and diplomats that their mission was to make a world where atrocities like Guernica are impossible.

Pablo Picasso's Guernica perhaps the most important painting of the 20th Century and certainly the most representative of that blood drenched age.

On February 4, 2003 United States Secretary of State Colin Powell addressed the Security Council laying out Americas case for going to war against Iraq.  A press conference followed outside the chambers.  When reporters assembled they found the famous Guernica tapestry covered by blue curtains.  Officially the United Nations claimed it was in preparation for painting and renovation.  Some reporters were told that TV news crews had complained that the stark images distracted from the speakers in front of them.

No one honestly believed either story.  The picture had been masked to avoid embarrassing Powell and the Bush Administration which was preparing to launch their announced campaign of shock and awe which would include bombing Baghdad and inevitably cause civilian casualties.

That is the moment that New York born poet Gregg Mosson captured in his piece A World Without Picassos Guernica which was included in the 2007 anthology Poems Against War: Bending Toward Justice.

Painting representing Guernica  being covered for Colin Powell's United Nations press conference.

Mosson was a former reporter and commentator whose work has appeared In The Cincinnati Review, The Baltimore Sun, The Oregonian, The Baltimore Review, and The Futurist. His poetry has appeared in many small-press journals. He earned his MA from the Johns Hopkins Writing Seminars, where he was a teaching fellow and lecturer. He has authored two books of poetry, Season of Flowers and Dust in 2007 and Questions of Fire in 2009.  Mosson was a contributing poetry editor at The Baltimore Review.

A World Without Picassos Guernica

February 5, 2003

 

At the United Nations, blue drapes sheath

a tapestry rendition of Guernica, so speakers can paint

blitzkrieging dreams, burying screams affixed and aired;

killing machines can work again.

Who expunged Guernica from the U.N.,

and then did U.N. walls tremor

down to their foundation

in the “war to end all wars”

and covetous twentieth century?

Yesterday, today, or tomorrow

bombs drop and discombobulated body parts

hurl through the air, and brown limbs

burst from horses

and spin past a still-standing bystander

dumbstruck

as infernos smoke and buildings crumble.

 

—Gregg Mosson

 

Scottish poet Sheena Blackhall captured the horror of the bombing itself.  Blackhall was born in Aberdeen in 1947 and is a poet, novelist, short story writer, illustrator, traditional story teller, and singer.  She has written over 100 poetry pamphletschapbooks we call them this side of the Pond—12 short story collections, 4 novels and 2 televised plays for children.

 

Guernica

 

Most of the men off fighting in Civil War
Our women and children haggling over bargains.
And then three hours bombardment from the skies
Like a place of card, our town, stamped on by giants

Those who hid in the fields were soon machine gunned.
The wooden walls of our homes, a red inferno

Wives wailed over the dead, blown up by shrapnel
Horses and bulls lay crushed by masonry.

Doves flew in all directions, panic-stricken.
I ran wildly ahead towards a bomb hole
Dived inside the churned up, muddy crater.

Bullets ricocheted, and cars exploded
Riddled corpses leaked blood on the streets

Children huddled round a parish priest
Too shocked to speak. In tatters, every one

The Plaza was a wall of living flame,
All that was left, a church, a tree, a factory

Charred bodies will forever haunt my dreams.
And this was how war came to Guernica

—Sheena Blackhall